Addressing 21st-century issues, threats, and opportunities with time-tested principles, this book empowers corporate communications professionals to protect, inspire, and energize organizations in the face of a crisis. Whether due to an external incident or an internal misstep, every major company or institution will find itself scrutinized, its normal operations disrupted, and its reputation and business continuity threatened at some point-and how it prepares for, and reacts to, a crisis can make a critical difference in the ultimate outcome of events. This book focuses on strategic crisis communication as a function of three elements: 1. crisis preparation-establishing a robust and nimble infrastructure and plans, in advance of any crisis 2. crisis management-rapidly gathering information, activating and adjusting plans, making decisions, and relentlessly monitoring outcomes 3. crisis communication-reaching multiple audiences, on multiple platforms, with clear, consistent, and purposeful messages that tell the truth and defend the organization. Bringing together best practices gleaned from hundreds of recent case studies, this book is an unmatched resource enabling corporate communications and PR professionals, and the organizations that employ them, to understand how to weather any reputational storm that may threaten their enterprise.

Addressing 21st-century issues, threats, and opportunities with time-tested principles, this book empowers corporate communications professionals to protect, inspire, and energize organizations in the face of a crisis. Whether due to an external incident or an internal misstep, every major company or institution will find itself scrutinized, its normal operations disrupted, and its reputation and business continuity threatened at some point-and how it prepares for, and reacts to, a crisis can make a critical difference in the ultimate outcome of events. This book focuses on strategic crisis communication as a function of three elements: 1. crisis preparation-establishing a robust and nimble infrastructure and plans, in advance of any crisis 2. crisis management-rapidly gathering information, activating and adjusting plans, making decisions, and relentlessly monitoring outcomes 3. crisis communication-reaching multiple audiences, on multiple platforms, with clear, consistent, and purposeful messages that tell the truth and defend the organization. Bringing together best practices gleaned from hundreds of recent case studies, this book is an unmatched resource enabling corporate communications and PR professionals, and the organizations that employ them, to understand how to weather any reputational storm that may threaten their enterprise.

Retheorizing Shakespeare through Presentist Readings offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "na?ve surrealism" as the performative model of the early modern, urban, public theater, James O?Rourke demonstrates how this Brechtian model is able to capture the full range of interplays that could take place between Shakespeare's words, the nonillusionist performance devices of the early modern stage, and the live audiences that shared the physical space of the theatre with Shakespeare's actors. O?Rourke argues that the limitations placed upon the critical energies of early modern drama by the influential new historicist paradigm of contained subversion is based on a poetics of the sublime, which misrepresents the performative aesthetic of the theater as a self-sufficient spectacle that compels reception in its own terms. Reimagining Shakespeare as our contemporary, O?Rourke shows how the immanent critical logic of Shakespeare's works can enter into dialogue with our most sophisticated critiques of our cultural fictions.

In "Sex, Lies, and Autobiography" James O'Rourke explores the relationships between literary form and ethics, revealing how autobiographical texts are able to confront readers with the moral complexities of everyday life. Tracing the ethical legacy of Jean-Jacques Rousseau's "Confessions" in a series of English-language texts, the author shows how Rousseau's doubts about the possibility of ethical behavior in everyday life shadows the first-person narratives of five canonic works: William Wordsworth's "Prelude, "Charlotte Bronte's "Jane Eyre" and "Villette, "Mary Shelley's "Frankenstein, "and Vladimir Nabokov's "Lolita." Offering a fascinating new way of thinking about ethics through literature, Sex, Lies, and Autobiography challenges the most fundamental principles of the philosophical study of ethics, revealing the innate difference between morality in life and morality in literature.

O'Rourke begins with Rousseau's inability to reconcile his intuitive belief that he is a good person with the effects that his actions have on others, and he goes on to show how this same ethical impasse recurs in the five aforementioned texts. The ethical crises these texts describe, such as when Jane Eyre's happiness can be purchased only at the cost of Bertha Mason's suicide, or when Humbert Humbert's artistry demands the sacrifice of Dolores Haze, are not instances of authorial ethical blindness, O'Rourke says, but rather are ethical challenges that force us as readers to consider our own lives. In each of these works, a narrator attempts to justify his or her behavior and fails; in each case, the rigorous narrative of self-examination demands a similar effort from the reader, whose own sense of moral rectitude is put into question.

Confronting the long-held philosophical construction that links ethical principles and life choices, thereby reassuring us of the ethical coherence of everyday life, the narrators of these literary autobiographies come to a very different conclusion; by looking back on their lives, they cannot understand how their most benevolent desires led to such damaging life stories. By leaving meaning inexplicit, O'Rourke argues, these texts are able to recover traumatic material that is ordinarily repressed and then bring that repressed knowledge to bear on self-justifying narratives.

For readers interested in autobiographical studies, ethical criticism, and trauma and literary studies, "Sex, Lies, and Autobiography" provides a groundbreaking analysis of the role of ethics in literature.

James O'Rourke examines the ways in which the modern reception to Keats's major odes reveals the investments made in these poems by successive generations of critical schools, particularly New Criticism, psychoanalysis, deconstruction, and New Historicism. O'Rourke's reading of the odes locates them within the contexts of literary and cultural history and recovers the innovative force of the poems in a way that speaks to the aesthetics and the politics of the present.

While the themes of Keats's odes are characteristically Romantic, they are also very modern. O'Rourke's analysis shows how such familiar Romantic themes as the pathos of solitude ("Ode to a Nightingale"), the inaccessibility of the past ("Ode on a Grecian Urn"), the excess of melancholia ("Ode on Melancholy"), and the beneficence of nature ("To Autumn") become culturally coded as "female", and he demonstrates how they confront the reader with familiar ideas in surprisingly fresh forms. This original study does much to illuminate what Keats's most virtuosic work has to say about history, nature, gender, ourselves, and each other.